6 Top films from the 2018 Cannes Film Festival
The 2018 Cannes Film Festival is very special. Apart from film activism for women and against racism that marks the headlines, the films are also not lacking awaited. Popular directors such as Lee Chang-Dong, Jean Luc-Godard, Nuri Bilge Ceylan, Lars Von Trier, Gasper Noé, and Spike Lee all show their talents. But in the end, it was a mucus by Hirokazu Kore-Eda, an underdog from Japan who took valuable palm d’Or. However, it almost did not surprise anyone. This year, as anyone said in Cannes, it is anyone’s game. There is no favourite of the crowd.
Award or not, as a viewer in the end it is a calculated film. This year’s Cannes has too much to offer. Most of us do not go to Cannes to watch films, but depending on the reception of films there, we can oversee their release date in our home country, and catch it later. Here is a list of the 6 Top films from the 2018 Cannes Film Festival that you cannot miss.
6 Top films from The 2018 Cannes Film Festival
1. Climax by Gasper Noé
When becoming a controversial figure in Cannes, Gasper Noé is one of the best. However, this year is somewhat different. There are only four walkouts, which, according to Noé, used to be at least around 25% of the previous audience pragmatic slot. In addition, the review is also not bad. Similar to the previous films, this one also has a super-amazing visual filled with LSD, and severe sex and violence. The only difference is that Noé did not go to the board this time by trying something that was too ambitious.
With the combination of provocative dance numbers and bad vision tortured from pure hell, this film is a treat for loyal fans of Noé. However, unlike the previous noé film, you don’t have to be an absolute fan to enjoy it. If you are someone who is looking for something very different, both aesthetically and vice versa, you can stop reading this and put it on your watch list. You will not be disappointed. The climax is of course one of the best films Noé to date.
2. Cold War by Pawel Pawlikowski
Cold War is true for his name. After winning the film winning Oscar Ida, the Pawlikowski Pawel Cold War was proven to be a proper successor in everything. It won the best director’s award in Cannes and it is very possible to be an entry this year Poland for Oscar’s best foreign films.
Starring the old muse of Pawlikowski, which is Muse Joanna Kulig and Tomasz Kot, Cold War is a calm black and white film about two people who are desperate, without hope of loving each other in the world of warless war. It includes about two decades and is shown through some nostalgic moments such as the perfect snapshot in the life of the character. Just like the last film Pawlikowski Ida, this tragic beautiful film cinematography is also a work of art. Pawlikowski did not abuse a frame from the 84 -minute film, which was on the way to being remembered as a true classic.
3. Burning by Lee Chang Dong
The legendary Korean filmmaker Lee Chang-dong finally returned after an 8-year absence, and he returned with an explosion. Just like his previous works, Lee offered us an amazing reflection of the inner life of Koreans every day. To this day, there hasn’t been a single misfire in Lee’s career. Burning gives more than expected to give it. That is one of the most positive films reviewed at the 2018 Cannes Film Festival.
This is a bitter story about the frustration of the working class. This takes us to the root of an insult experienced by a man on average from the lower class when faced with everything he wants in his life. This is painful, poetic, and maybe the best film that comes out of Korea lately.
4. The Wild Pear Tree by Nuri Bilge Ceylan
Wild pears tree by Turkish Auteur Nuri Bilge Ceylan, who won Palm d’Or with his last film Winter Sleep, was highly anticipated. It did not get any Nuri Award but received a positive review around voice.
This is the story of the sadness of a person’s life and his futile struggle to fulfil the ambitions of his writing. Aesthetics are in the highest position, and the story is made smoothly. This runs at its own speed and conveys melancholy messages in a deep and noble way. There is nothing to expect from Nuri, his growth as an artist clearly shows in the picture.
5. Shoplifters by Hirokazu Kore-eda
With Shoplifters, Kore-Eda brought Palm D’Or back to Japan after 21 years. The last Japanese film that won this award was The Eel by Shohei Imamura, who also won the award for the 1983 film The Ballad of Narayama. His work clearly showed the influence of other Asia Mr Asia such as Yasujiro Ozu and Hou Hsiao-Hsien.
This very warm and loving Japanese film is about the poor Shoplifters who live in Tokyo. Shows are something that the family does to make a living, and they are not criminals other than the meaning of the word law. The raw humanity of this film is something that we rarely see today, and maybe that’s what makes the indicator stand out among others in the competition. After you watch it, the emotional warmth of the film flows and this deep message will definitely remain in your heart for a very long time.
6. Birds of Passage by Ciro Guerra and Cristina Gallego
Birds of Passage in its first screening in Cannes universally praised by critics. This is a mafia film that you may never have seen. There is something very Shakespearean about the flamboyant. The genre and story are what is expected of anyone from a crime film, but it is intertwined with Cambodian culture and rituals, plus its deep mystical tone makes it an eternal work of art in that itself. In time, it might be as important for Cambodian cinemas as Baptist’s father and the city of the gods is for American and Brazilian cinema.